Qing Dynasty Chinese Porcelain - The Chalre Collection of Asian Ceramics

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The Collection

With more than 2,000 artifacts, The Chalre Collection is one of the largest non-institutional Ceramic Art collections in the Southeast Asia region. It is also one of the most diverse comprising pottery styles across more than 10 centuries.

The Ceramic Art collection of Chalre Associates came about through the efforts of the firm�s principals, Rebecca Bustamante and Richard Mills. It is intended that a significant portion of The Chalre Collection become property of a museum foundation or other public body in the future.

In creating the collection, major recognition must be given to Jose (Joe) Yusef Makmak for his considerable support and friendship. Our thoughts are with Joe, formerly a prominent ceramic antiquities dealer in Philippines, who passed away in 2008.

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Qing Dynasty Chinese Porcelain - The Chalre Collection of Asian Ceramics

Qing Dynasty Chinese Porcelain

The Story of

Qing Era Porcelain

The great Jingdezhen kilns that had supplied the most artistically advanced Ceramics to the world for centuries were utterly destroyed during the dislocations that led to the fall of the Ming dynasty (1368 � 1644). Gladly, the Manchu rulers of the new Qing dynasty (1644 - 1911) were enthusiastic patrons of the arts. The Imperial Porcelain factories were rebuilt under the Kangxi emperor and production resumed in 1683.

The development of enamel colours that were opaque were certainly one of the most significant technical contributions made to Ceramics during the Qing period. The new opaque colours enabled painters to blend tints to create a multitude of shades and hues. Tremendous advances in Porcelain began under emperor Kangxi and continued into Yongzheng. The techniques developed were used throughout the entire dynasty era and continue to be used today.

Large Platter with Garden Scene

CERAMIC ARTIFACT #mc-007108

DESCRIPTION:

The large platter is decorated with a garden scene featuring colourful women attended by 2 servants. The piece is heavily constructed with a barbed rim.

ORIGIN:

The artifact was produced in China, probably in the city of Jingdezhen of Jiangxi province. It was brought to Southeast Asia as a valuable trade-good probably by an ancient Chinese trading ship. After many centuries, the piece was rediscovered by excavators and subsequently acquired by The Chalre Collection through a registered dealer.

AGE:

The artifact originates from the Early Qing Dynasty (1644 - 1911). Its mark indicates it was produced during the reign of Kangxi (1662 - 1722).

MEASUREMENTS:

Height:

Width or Depth:

REFERENCES:

Similar or identical artifacts are found in various Ceramic Art publications including: Chinese Ceramics and The Art of Chinese Ceramics.

Similar and/or identical items are also on display at the Victoria & Albert Museum in London (UK), the Asian Art Museum in San Francisco (USA), the National Museum of Malaysia (Kuala Lumpur), the National Museum of the Philippines (Manila) and other museums throughout the world with diverse collections of Asian ceramics.